Beer and tea instead of milk

Riverbank Arts Centre, Newbridge | 2024


A solo exhibition featuring groupings of elements which are interconnected with themselves and with the viewer.

The shrinking habitats of, and the apathy towards, the more-than-human could be defined as the second wave of colonialism in Ireland. The distance between human and “nature” expands leaving crumbs of chance encounters with wildlife.

The range of materials used in Beer and tea instead of milk create scenarios relating to the more-than-human while highlighting society’s hierarchical response to shared land use and the climate crisis. Some pieces of work are anthropomorphised with an assumed voice, while others encourage paying closer attention to the raw materials. 

Rather than our relegation of bird, insect, wildflower, mammal, fish, tree life to scant corners to exist, the artworks propose a balanced relationship and social distancing in terms of shared habitats.

The title of the exhibition references a passage in Nan Shepherd’s book ‘The Living Mountain’ where she celebrates the listening and the being in the landscape.

Installation view including Yourmine, Our storms not theirs, The Meadow was not consulted, Placeholder for a Deadly Nightshade Family Member, Coward's Punch

Our storms not theirs
2021-24 | Cat hair, insulation | 60cm x 70cm

Placeholder for a Deadly Nightshade Family Member (detail)
2024 | Cotton, tomato stem, wood, fabric | 15cm x 27cm x 9cm

Installation view including TR170324, Lunar Drawings (Harvest) and The Business of Being a Moth

Shove
Bark from a bough, fabric, metal | 37cm x 28cm

Smidiríní
2024 | Ceramic components | 15cm x 9cm x 13cm

SONGTHRUSH 
and installation view of the video No Vale

Yourmine
2024 | Rock, paper | 9cm x 11cm x 8cm

sabotagesabotage (in foreground)
Our storms not theirs and The Meadow was not consulted (in background)

Gestures: Driftwood
2024 | Wood, textiles | 37cm x 47cm x 28cm

Gestures: Silver Birch (below)
On Special (above)

A Glut of Gulls
2024 | Ink, gouche on paper | 41cm x 33cm

The Business of Being a Moth
Cotton, ceramic coated thread | 33cm x 22cm

NETTLE TREE
2024 | Colour digital print on photographic paper

sabotagesabotage
2024 | paper, lime wood, oil paint, biodegradable plastic | size variable/contains 322 pieces

Copyright on all images Saidhbhín Gibson